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SEOUL, South Korea (AP) — South Korean law enforcement officials on Monday requested a court warrant to detain impeached President Yoon Suk Yeol as they investigate whether his short-lived martial law decree on Dec. 3 amounted to rebellion. The Corruption Investigation Office for High-Ranking Officials, which is leading a joint investigation with police and military authorities into the power grab that lasted only a few hours, confirmed it requested the warrant from the Seoul Western District Court. They plan to question Yoon on charges of abuse of authority and orchestrating a rebellion. Yoon has dodged several requests by the joint investigation team and public prosecutors to appear for questioning and has also blocked searches of his offices. It’s not clear whether the court will grant the warrant or whether Yoon can be compelled to appear for questioning. Under the country’s laws, locations potentially linked to military secrets cannot be seized or searched without the consent of the person in charge, and it’s unlikely that Yoon will voluntarily leave his residence if he faces detainment. Yoon’s presidential powers were suspended after the National Assembly voted to impeach him on Dec. 14 over his imposition of martial law that lasted only hours but has triggered weeks of political turmoil, halted high-level diplomacy and rattled financial markets. Yoon’s fate now lies with the Constitutional Court, which has begun deliberations on whether to uphold the impeachment and formally remove Yoon from office or reinstate him. Yoon has defended the martial law decree as a necessary act of governance, describing it as a warning against the liberal opposition Democratic Party, which has been bogging down his agenda with its majority in the parliament. Parliament voted last week to also impeach Prime Minister Han Duck-soo, who had assumed the role of acting president after Yoon’s powers were suspended, over his reluctance to fill three Constitutional Court vacancies ahead of the court’s review of Yoon’s case. The country’s new interim leader is Deputy Prime Minister Choi Sang-mok, who is also finance minister.
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In a tiny village tucked away from the buzz of modern cities, a young boy holds on to a dream sparked by his father’s simple yet profound words: “ " (First a fan, then electricity). Armed with this unwavering belief, he sets out to prove that the fan his father once promised can bring light to their home and hope to their village. The ’s new campaign, part of its ongoing “ " series, brings this touching story to life. The narrative, beautifully crafted by Ogilvy India, focuses on the power of hope, instead of technology or jargon. As the boy’s dream takes flight, the film subtly weaves in the role of Adani’s wind turbines, which harness the power of nature to light up homes and transform lives. What makes this campaign stand out is its ability to take a concept like renewable energy and translate it into something deeply human and personal. The film captures a series of moments when the boy faces ridicule for stating the fan will come first, the quiet determination in his eyes, and the eventual arrival of clean energy in his village. These moments depict real-life struggles and triumphs of millions of Indians. Also read: While the campaign showcases the impact of Adani’s renewable energy projects, it does not lose sight of the people at its core. Piyush Pandey, chief advisor at Ogilvy India, has described it as a story that prioritizes consumers and their lives over corporate chest-thumping. The boy’s journey becomes a symbol of the change that sustainable development can bring—not just to infrastructure but to hearts and homes. The wind turbines standing tall against the backdrop of a glowing village convey the promise that renewable energy is not just about innovation but about enabling dreams, like that of a young boy who dared to believe. “ " is a story of faith, resilience, and the power of human spirit to spark change. Also read:Syria's president Bashar al-Assad fled Syria as Islamist-led rebels swept into Damascus Sunday, triggering celebrations across the country and beyond at the end of his oppressive rule. Russian news agencies late Sunday said Assad and his family were in Moscow. Crowds toured Assad's luxurious home after the rebels declared he had fled, a spectacular end to five decades of brutal Baath party government. The government fell 11 days after the rebels began a surprise advance more than 13 years after Assad's crackdown on anti-government protests ignited Syria's civil war, which had become largely dormant until the rebel push. "This victory, my brothers, is historic for the region," Abu Mohammed al-Jolani, leader of the Islamist Hayat Tahrir al-Sham group (HTS) that spearheaded the advance, said in an address at the landmark Umayyad Mosque in Damascus. US President Joe Biden said Assad should be "held accountable" but called the nation's political upheaval a "historic opportunity" for Syrians to rebuild their country. "The fall of the regime is a fundamental act of justice," Biden said from the White House. Residents cheered in the streets as the rebel factions heralded the departure of "tyrant" Assad, saying: "We declare the city of Damascus free." Celebratory gunfire sounded along with shouts of, "Syria is ours and not the Assad family's". AFP correspondents saw dozens of men, women and children wandering through Assad's modern, spacious home whose rooms had been stripped bare. "I can't believe I'm living this moment," tearful Damascus resident Amer Batha told AFP by phone. "We've been waiting a long time for this day," he said. The rebel factions on Telegram proclaimed the end to "50 years of oppression under Baath rule, and 13 years of crimes and tyranny and displacement". It is, they said, "the start of a new era for Syria." The foreign ministry of Assad's key backer, Russia, had announced earlier Sunday that Assad had resigned from the presidency and left Syria. The head of war monitor the Syrian Observatory for Human Rights, Rami Abdel Rahman, told AFP: "Assad left Syria via Damascus international airport before the army security forces left" the facility. Later Sunday, a Kremlin source told Russian news agencies that he and his family had arrived in Moscow where they had been granted asylum "on humanitarian grounds". Around the country, people toppled statues of Hafez al-Assad, Bashar al-Assad's father and the founder of the repressive system of government he inherited. For the past 50 years in Syria, even the slightest suspicion of dissent could land one in prison or get one killed. During their advance, the rebels said they had freed prisoners, including on Sunday at the Sednaya facility, notorious for the darkest abuses of Assad's era. UN war crimes investigators urged those taking charge in the country to ensure the "atrocities" committed under Assad's rule are not repeated. Amnesty International called this a "historic opportunity" for those responsible for the abuses in Syria to face justice. The end of Assad's rule came just hours after HTS said it had captured the strategic city of Homs. Homs was the third major city seized by the rebels, who began their advance on November 27, the same day a ceasefire took place in neighbouring Lebanon between Israel and the Iran-backed Hezbollah movement. Hezbollah had supported Assad during the long civil war but has been severely weakened by Israeli strikes. The group's forces "vacated their positions around Damascus", a source close to the group said Sunday. HTS is rooted in the Syrian branch of Al-Qaeda but has sought to soften its image in recent years. It remains listed as a terrorist organisation by Western governments. On Sunday afternoon the rebels announced a curfew in the capital until 5:00 am (0200 GMT) Monday. The commander of Syria's US-backed, Kurdish-led Syrian Democratic Forces (SDF), which controls much of northeast Syria, hailed the fall of Assad's "authoritarian regime" as "historic". A military council affiliated with the SDF clashed Sunday with Turkish-backed Syrian fighters in Syria's north, leaving 26 fighters from both sides dead, the Observatory said, as the Turkish-backed group launched an offensive on the Manbij area. The Observatory said Israel had struck government security buildings and weapons depots Sunday on the outskirts of Damascus, as well as in the eastern Deir Ezzor province. Israeli Prime Minister Benjamin Netanyahu said the overthrow of Assad was a "historic day in the... Middle East" and the fall of a "central link in Iran's axis of evil". "This is a direct result of the blows we have inflicted on Iran and Hezbollah, Assad's main supporters," he added. The UN envoy for Syria said the country was at "a watershed moment". Turkey, which has historically backed the opposition, called for a "smooth transition". Iran said it expected "friendly" ties with Syria to continue, even as its embassy in Damascus was vandalised. Since the start of the rebel offensive, at least 910 people, mostly combatants but also including 138 civilians, have been killed, the Observatory said. Syria's war has killed more than 500,000 people, and forced half of the population to flee their homes. Millions fled abroad. "I can barely remember Syria," said Reda al-Khedr, who was only five years old when he and his mother escaped Syria's Homs in 2014. "But now we're going to go home to a liberated Syria," he told AFP in Cairo. Liberated, but facing enormous challenges. European Commission President Ursula von der Leyen said Sunday the bloc would help rebuild a Syria that safeguards minorities after Assad's fall. bur-it/jj
NASHVILLE, Tenn. (AP) — After more than 150 shows across five continents over nearly two years, the global phenomenon that is Taylor Swift’s Eras Tour is coming to an end. There is no simple way to encapsulate the effects of Swift’s decision to put on a 3 1⁄2-hour concert, showcasing 44 songs representing 10 different “eras” of her career — a feat she kicked off in March 2023 and will end Sunday in Vancouver, Canada. The tour shattered sales and attendance records and created such an economic boom that even the Federal Reserve took note. But for many who attended the concerts, and the millions more who eagerly watched fan-broadcasted livestreams on their screens, the tour also became a beacon of joy — a chance not only to appreciate Swift's expansive music career, but also celebrate the yearslong journey fans have taken with her. “Right now we have this special designated time to be together, talk about the show and hang out,” said Tess Bohne, a stay-at-home mom of three turned content creator dedicated to livestreaming Swift’s concerts — by attending herself or coordinating with others to highlight their streams. “For some, it’s their therapy.” Bohne, who has earned the title among the Swiftie community as the “livestream queen,” says she often interacts with fans hosting parties to watch an Eras concert live at home with their closest friends. People have also made lasting friendships as they geek out together watching the show from afar. Swift has long been known for leaving Easter eggs for her fans to pinpoint and decipher, a quirk that quickly took on a life of its own during the tour as eagle-eyed devotees began analyzing the possible meaning of her outfits, surprise songs and subtle lyric swaps. The buzz has been so large that multiple mobile apps were launched so fans could guess and track all the various changes. There’s even a game that gives out prizes for correctly predicting various particulars of a show, including what color guitar Swift uses while playing “Lover.” “Imagine your favorite sports team,” Bohne said. “They’re still a team, but they’re not going to play any games for the foreseeable future. That’s going to leave a hole for some folks.” Swift herself appeared to struggle that the end was near while performing at her 100th Eras show in June at Liverpool. “This is the very first time I’ve ever acknowledged to myself and admitted that this tour is gonna end in December,” she said, stressing that “this tour has really become my entire life.” Late last month, in Toronto, she briefly broke down at the thought of the tour's impending end. Swift kicked off the Eras tour in Glendale, Arizona, the first of many sold-out stadiums as the tour progressed first in the U.S. and later into South America, Asia, the United Kingdom and Canada. By the end of 2023, it had become the first tour to ever gross over $1 billion and saw hundreds of millions of dollars spent on merchandise. She is likely to bring in over $2 billion by the time the tour wraps on Dec. 8, according to concert trade publication Pollstar. Throughout the tour, Swift was named Time Magazine’s Person of the Year . Apple Music named her its artist of the year and Spotify revealed she was 2023’s most streamed artist globally . She dropped a box office-topping concert film and helped send NFL viewership skyrocketing when she began dating Kansas City Chiefs tight end Travis Kelce. Toward the end of the tour, she released a coffee table book. And if that wasn’t enough, she released re-recordings of her Nashville-era 2010 record, “Speak Now ” and 2014's record “1989,” as well as released her 11th studio album, “The Tortured Poets Department.” “I think it’s perfect in these times to have somebody like Taylor to kind of give us distraction, give us inspiration, give us hope,” said Ralph Jaccodine, an assistant professor at Berklee College of Music and a former concert promoter who has worked with Bruce Springsteen and others. “And this is a woman that owning it, she’s come a long way. And now she can talk about artist rights and women’s rights and equality. And really, just her work ethic is relentless." Even the word “era” has become ubiquitous, with fans and casual observers using the term to explain both frivolous and transformative phases — are you in your “villain era” or a “healing era”? “I think this tour really solidified her position as a legend,” said Kayla Wong, an influencer who runs the popular Swift-focused Instagram account @headfirstfearless. “Whether or not you like her music, whether or not you think she’s talented, the numbers really speak for themselves. The tour broke so many records and was such a global phenomenon for so long that I think she’s achieved a level where it’s undeniable as to how everlasting her impact is.” Yet the tour did experience its own dark moments. In Brazil last year, one concertgoer — 23-year-old Ana Clara Benevides — passed out and later died of heat exhaustion. In July, British police charged a 17-year-old with murder over a stabbing attack during a Taylor Swift-themed summer holiday dance and yoga class that left three little girls dead. News outlets reported that Swift met with some of the survivors backstage in London. And in August, all three of Swift's concerts in Vienna were called off after officials announced arrests over an apparent plot to launch an attack on an event in the city. Tens of thousands of Swifties from around the world had traveled to Vienna for the shows. “Having our Vienna shows cancelled was devastating,” Swift later wrote in a statement. “The reason for the cancellations filled me with a new sense of fear, and a tremendous amount of guilt because so many people had planned on coming to those shows.” Through the hardships and celebrations, Swift's connections to her fans has only ballooned and deepened throughout the tour. After the Vienna cancellations, many fans flocked to the streets to sing Swift's songs and placed friendship bracelets — which also became an iconic feature of the shows — on a nearby tree. Over the past two years, the fandom has welcomed new audiences — both old and new. “I feel like years ago, we were kind of all the same age and fans for the same reason,” Wong said of Swifties. “Now the fandom has people from all kinds of backgrounds, all ages, all different reasons for following her in the first place.”
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